Norman McLaren(1914-1987)
- Producer
- Director
- Animation Department
Norman McLaren is one of the most awarded filmmakers in the history of
Canadian cinema, and a pioneer in both animation and filmmaking. Born
in Scotland, he entered the Glasgow School of Fine Arts in 1932 to
study set design. His early experiments in animation included actually
scratching and painting the film stock itself, as he did not have ready
access to a camera. In the early 30s he worked as a cameraman in
Scotland and England, and in 1936 went to Spain to film the Civil War.
He emigrated to the US in 1939, aware that war was imminent, and in
1941, at the invitation of John Grierson, he moved to Canada to work for the
National Film Board.
McLaren made several propaganda films for the NFB, but continued
develop his experimental work in his spare time. He later founded the
animation department at the NFB, where he was at his most prolific. His
most famous work, Neighbours (1952), utilized a style of animation known as
pixilation, where the camera films moving people and objects a few
frames at a time, giving the action a frantic, unearthly look. The
short film won McLaren an Oscar. He continued to use a variety of
styles and techniques on his animated shorts, including the optical
editor to film _Pas de Deux (1968)_, filming through a prism for _Line: Horizontal (1962)_ and also
using live action featuring himself in Opening Speech (1960).
In addition to film, McLaren worked with UNESCO in the 50s and 60s on
programs to teach film and animation techniques in China and India. His
five part "Animated Motion" shorts, produced in the late 70s, are an
excellent example of instruction on the basics of film animation.
McLaren died in 1987, leaving behind a lasting legacy to the film and
animation world. The Canadian Film Board recognized this in 1989 by
naming the CFB head office building the Norman McLaren Building.
Canadian cinema, and a pioneer in both animation and filmmaking. Born
in Scotland, he entered the Glasgow School of Fine Arts in 1932 to
study set design. His early experiments in animation included actually
scratching and painting the film stock itself, as he did not have ready
access to a camera. In the early 30s he worked as a cameraman in
Scotland and England, and in 1936 went to Spain to film the Civil War.
He emigrated to the US in 1939, aware that war was imminent, and in
1941, at the invitation of John Grierson, he moved to Canada to work for the
National Film Board.
McLaren made several propaganda films for the NFB, but continued
develop his experimental work in his spare time. He later founded the
animation department at the NFB, where he was at his most prolific. His
most famous work, Neighbours (1952), utilized a style of animation known as
pixilation, where the camera films moving people and objects a few
frames at a time, giving the action a frantic, unearthly look. The
short film won McLaren an Oscar. He continued to use a variety of
styles and techniques on his animated shorts, including the optical
editor to film _Pas de Deux (1968)_, filming through a prism for _Line: Horizontal (1962)_ and also
using live action featuring himself in Opening Speech (1960).
In addition to film, McLaren worked with UNESCO in the 50s and 60s on
programs to teach film and animation techniques in China and India. His
five part "Animated Motion" shorts, produced in the late 70s, are an
excellent example of instruction on the basics of film animation.
McLaren died in 1987, leaving behind a lasting legacy to the film and
animation world. The Canadian Film Board recognized this in 1989 by
naming the CFB head office building the Norman McLaren Building.